cam a22 4 4500 114136289 CHVBK 20191207114435.0 091208s2009 xxu 00 eng|d 0-7734-4789-X m 978-0-7734-4789-9 m (OCoLC)475767412 (IDSBB)005223529 (OCoLC)475767412 DKDLA SzZuIDS BS/BE A300 kids 7.01 z 9,11 ssgn Koenig Wendy The phenomenon of interruption in the visual arts a comparison of works by Daniel Libeskind, Gerhard Richter, and Ilya Kabakov Wendy Koenig ; with a preface by Thomas Patin New York Edwin Mellen Press 2009 194 S. Text txt rdacontent/ger ohne Hilfsmittel zu benutzen n rdamedia/ger Band nc rdacarrier/ger Examines works of art within the context of Reception Theory, associated with Hans Robert Jauss and Wolfgang Iser, and the aesthetic theories of Theodor W Adorno, Walter Benjamin, Bertolt Brecht, and Martin Heidegger, to illustrate the commonalities between works of art in terms of thematic content and the use of 'interruptive' techniques Patin Thomas kh SzZuIDS BS/BE IDSBB 100 1- Koenig Wendy IDSBB 700 1- Patin Thomas BK020000 XK020000 XK020000 IDSBB A300 A300 MAG KM W 2010.275 NELA3001006 KMK2010