cam a22 4 4500 317005855 CHVBK 20201114065540.0 m d cr || |||||||| 140620s2007 xxk s 00 eng d GBA6-91849 bnb 013589633 Uk 0-19-928437-7 978-0-19-928437-5 978-0-19-171374-3 eISBN 10.1093/acprof:oso/9780199284375.001.0001 doi (IDSSG)000876094 (SERSOL)ssj0000090260 (NEBIS)009846919 (WaSeSS)ssj0000090260 UK-OxUP ger SzZuIDS HSG kids ML3800 .D594 2007 781.1/7 22 CH001503E8588A693C5E8C12578BF0041753B iCapture Dodd Julian Works of music an essay in ontology Julian Dodd Oxford Oxford University Press 2007 1 Online-Ressource (286 S.) Oxford scholarship online Includes bibliographical references (p. [277]-282) and index. Introduction -- The type/token theory introduced -- Motivating the type/token theory : repeatability -- Nominalist approaches to the ontology of music -- Musical anti-realism -- The type/token theory elaborated -- Types I : abstract, unstructured, unchanging -- Types introduced and nominalism repelled -- Types as abstracta -- Types as unstructured entities -- Types as fixed and unchanging -- Types II : platonism -- Introduction : eternal existence and timelessness -- Types and properties -- The eternal existence of properties reconsidered -- Types and patterns -- Defending the type/token theory I -- Unstructuredness and analogical predication -- Musical works as fixed and unchanging -- Abstractness and audibility (again) -- Works and interpretations -- Conclusion and resumé -- Defending the type/token theory II : musical platonism -- Platonism it is : replies to Anderson and Levinson -- The existence conditions of works of music -- Composition as creative discovery -- The nature of the compositional process : replies to objections -- Composition and aesthetic appraisal : a reply to Levinson -- Composition and aesthetic appraisal : understanding, interpretation, and correctness -- Musical works as continuants : a theory rejected -- A theory introduced -- Explicating and motivating the continuant view -- The continuant view and repeatability -- Further objections to the continuant view -- Musical works as compositional actions : a critique -- Currie's action-type hypothesis -- Davies's performance theory -- Sonicism I : against instrumentalism -- Sonicism introduced -- Sonicism motivated : moderate empiricism -- Instrumentation : timbral sonicism introduced -- Scores -- Instrumentation, artistic properties, and aesthetic content -- Levinson's rejoinder -- Sonicism II : against contextualism -- Introduction : formulating contextualism -- Contextualist ontological proposals -- Levinson's doppelgänger thought-experiments -- Artistic, representational, and object-directed expressive properties -- Aesthetic and non-object-directed expressive properties -- Conclusion : the place of context. Lizenzbedingungen können den Zugang einschränken. License restrictions may limit access. In this original and iconoclastic book, Julian Dodd argues for what he terms 'the simple view' of the ontological nature of works of pure, instrumental music. According to this view such works are types whose tokens are performances and playings, and as types they belong to the category of sound-sequence events. Musikphilosophie (DE-588)4123809-6 gnd Musikästhetik (DE-588)4040808-5 gnd Music Philosophy and aesthetics Ontologie idszbz Musikästhetik idszbz KUNSTTHEORIE + KUNSTÄSTHETIK + KUNSTPHILOSOPHIE ger (ETHUDK)000035234 ethudk MUSIK ger (ETHUDK)000035983 ethudk ONTOLOGIE (PHILOSOPHIE) ger (ETHUDK)000009378 ethudk ÄSTHETIK (PHILOSOPHIE) ger (ETHUDK)000009390 ethudk u MUSIK ger 78 nebis E1 u ÄSTHETIK (PHILOSOPHIE) ger 111.852 nebis E1 u KUNSTTHEORIE + KUNSTÄSTHETIK + KUNSTPHILOSOPHIE ger 70.01 nebis E1 u ONTOLOGIE (PHILOSOPHIE) ger 111.1 nebis E1 u MUSIQUE fre 78 nebis E1 u MUSIC eng 78 nebis E1 u ESTHÉTIQUE (PHILOSOPHIE) fre 111.852 nebis E1 u AESTHETICS (PHILOSOPHY) eng 111.852 nebis E1 u ART THEORY + ART AESTHETICS + ART PHILOSOPHY eng 70.01 nebis E1 u THÉORIE DE L'ART + ESTHÉTIQUE DE L'ART + PHILOSOPHIE DE L'ART fre 70.01 nebis E1 u ONTOLOGY (PHILOSOPHY) eng 111.1 nebis E1 u ONTOLOGIE (PHILOSOPHIE) fre 111.1 nebis E1 Druck-Ausgabe (IDSSG)000448033 488466474 https://doi.org/10.1093/acprof:oso/9780199284375.001.0001 Full text for the University of St. Gallen http://unisg.link/hm00368983 Inhaltsverzeichnis BK020053 XK020053 XK020000 Metadata rights reserved idssg Metadata Rights Reserved ids I Oxford Scholarship Online E-Books von 360MarcUpdates noalma ids I E01-Oxford-201311 nebis ER EText nebis ED ZB781 Z01 081 E01-20140203 083 E01-20140203 NEBIS E01 E01 EL IDSSG HSG HSG ONL HONL000876094 IDSBB B405 B405 405VT NELB4052004 IDSSG 100 1- Dodd Julian IDSSG 490 0- Oxford scholarship online IDSSG 776 08 Druck-Ausgabe (IDSSG)000448033 488466474 IDSSG 856 4- https://doi.org/10.1093/acprof:oso/9780199284375.001.0001 Full text for the University of St. Gallen IDSSG 856 4- http://unisg.link/hm00368983 Inhaltsverzeichnis IDSBB 100 1- Dodd Julian IDSBB 856 40 https://oxford.universitypressscholarship.com/view/10.1093/acprof:oso/9780199284375.001.0001/acprof-9780199284375 Uni Bern: Volltext NEBIS 100 1- Dodd Julian NEBIS 856 -- http://sfx.ethz.ch/sfx_locater?sid=ALEPH:EBI01&genre=book&isbn=0-19-928437-7 Online via SFX Volltext SWISSBIB 313616760