cam a22 4 4500 357764935 CHVBK 20190307093642.0 110216s2013 miu b||| 001 0 eng| 2011007217 015967223 Uk 978-0-472-11785-7 cloth : alk. paper 9780472027736 0-472-11785-8 cloth : alk. paper 0472027735 978-0-472-03553-3 pbk. : alk. paper 0-472-03553-3 pbk. : alk. paper (OCoLC)703871402 (IDSBB)006484682 (OCoLC)703871402 (OCoLC)792939647 DLC ger DLC YDX YDXCP BWX CDX UKMGB COO DEBBG BDX IG# UV0 YBM OCLCO WCH MNE VLR IOG IAK OCLCQ SzZuIDS BS/BE A164 kids eng ML3470 .S32 2011 781.6409/051 22 780 15 9,2 ssgn LR 57790 rvk Savage Steve 1948- (DE-588)1025784596 Verfasser aut Bytes and backbeats repurposing music in the digital age Steve Savage First paperback edition Ann Arbor The University of Michigan Press 2013 X, 251 Seiten 24 cm Text txt rdacontent/ger ohne Hilfsmittel zu benutzen n rdamedia/ger Band nc rdacarrier/ger Tracking pop Includes bibliographical references (pages 219-228) and index "From Attali's 'cold social silence' to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. In Bytes and Backbeats, however, Steve Savage deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of 'repurposing' as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing 'art' and a self-conscious 'artifice' reflects and feeds into our evolving notions of creativity, authenticity, and community. At the core of the book are three original audio projects, drawing from rock & roll, jazz, and traditional African music. Through these projects--and with the aid of newly imagined techniques of computer-based recording--Savage is able to target areas of contemporary practice that are particularly significant in the cultural evolution of the musical experience, from the perspective of composers, musicians, and listeners. Each audio project includes a studio study providing context for the social and cultural analysis that follows. This work stems from Savage's experience as a professional recording engineer and record producer."--Jacket Geschichte 2000-2011 gnd Musikproduktion (DE-588)4235850-4 gnd Neue Medien (DE-588)4196910-8 gnd Popmusik (DE-588)4046781-8 gnd Remix (DE-588)4700208-6 gnd Rockmusik (DE-588)4115774-6 gnd Soundverarbeitung (DE-588)4485311-7 gnd Popular music Production and direction Sound recordings Production and direction u LS 7 POP idsbb FY u LS 7 ROCK idsbb FY mu SzZuIDS BS/BE IDSBB 100 1- Savage Steve 1948- (DE-588)1025784596 Verfasser aut IDSBB 490 0- Tracking pop SWISSBIB 357764935 BK020000 XK020000 XK020000 IDSBB A164 A164 MAG PSS A 24054 NELA1641604 / 20160404 Dreier