Zur Kirche auf einem Kupferstich von Gugas İnciciyan und zum Standort der Chalke-Kirche

Verfasser / Beitragende:
[Neslihan Asutay-Effenberger, Arne Effenberger]
Ort, Verlag, Jahr:
2004
Enthalten in:
Byzantinische Zeitschrift, 97/1(2004-10), 51-94
Format:
Artikel (online)
ID: 378892495
LEADER caa a22 4500
001 378892495
003 CHVBK
005 20180305123458.0
007 cr unu---uuuuu
008 161128e200410 xx s 000 0 ger
024 7 0 |a 10.1515/BYZS.2004.51  |2 doi 
035 |a (NATIONALLICENCE)gruyter-10.1515/BYZS.2004.51 
245 0 0 |a Zur Kirche auf einem Kupferstich von Gugas İnciciyan und zum Standort der Chalke-Kirche  |h [Elektronische Daten]  |c [Neslihan Asutay-Effenberger, Arne Effenberger] 
520 3 |a The main focus of this article is a church, the picture of which is shown on a gravure by Gugas İnciciyan and called Arslanhane (Menagerie)/Nakkaşhane (House of painters). The church has a central dome, an apsis and a semi dome at the west side and looks like a little model of the Hagia Sophia. It was erected above an other building with a central arch. This resembles descriptions of the Chalke gate and the Chalke church in several written sources. Some chraracteristic marks of İnciciyan's church can also be discovered on some other drawings from various artists (Matrakçi Nasuh 1537; Melchior Lorichs, 1559; Cornelius Loos, 1710). A comparison with them helps us to localise it on the southern side of the former university building of Gaspare Fossati. Written sources inform us that the so called Arslanhane/Nakkaşhane of Inciciyan was not the only the building, which was converted to a menagerie. The church of Johannes in the Diippion and an other building, near the southwest corner of the Hagia Sophia were also used as menagerie during the Ottoman period. Especially the second one can be seen on various drawings. In our opinion Mango's identification of a church drawn by Willey Reveley (1786) with the Chalke, must be reviewed, since it was probably that of Theotokos Varaniotissa, which was renewed in the late Byzantine era. 
540 |a © 2004 by K. G. Saur Verlag GmbH, München und Leipzig 
700 1 |a Asutay-Effenberger  |D Neslihan  |4 aut 
700 1 |a Effenberger  |D Arne  |u Berlin  |4 aut 
773 0 |t Byzantinische Zeitschrift  |d Walter de Gruyter GmbH & Co. KG  |g 97/1(2004-10), 51-94  |x 0007-7704  |q 97:1<51  |1 2004  |2 97  |o BYZS 
856 4 0 |u https://doi.org/10.1515/BYZS.2004.51  |q text/html  |z Onlinezugriff via DOI 
908 |D 1  |a research article  |2 jats 
950 |B NATIONALLICENCE  |P 856  |E 40  |u https://doi.org/10.1515/BYZS.2004.51  |q text/html  |z Onlinezugriff via DOI 
950 |B NATIONALLICENCE  |P 700  |E 1-  |a Asutay-Effenberger  |D Neslihan  |4 aut 
950 |B NATIONALLICENCE  |P 700  |E 1-  |a Effenberger  |D Arne  |u Berlin  |4 aut 
950 |B NATIONALLICENCE  |P 773  |E 0-  |t Byzantinische Zeitschrift  |d Walter de Gruyter GmbH & Co. KG  |g 97/1(2004-10), 51-94  |x 0007-7704  |q 97:1<51  |1 2004  |2 97  |o BYZS 
900 7 |b CC0  |u http://creativecommons.org/publicdomain/zero/1.0  |2 nationallicence 
898 |a BK010053  |b XK010053  |c XK010000 
949 |B NATIONALLICENCE  |F NATIONALLICENCE  |b NL-gruyter