Alexander Kazhdan in collaboration with Lee E. Sherry and Christine Angelidi, A History of Byzantine Literature (650-850)
Gespeichert in:
Verfasser / Beitragende:
[Elizabeth Jeffreys]
Ort, Verlag, Jahr:
2004
Enthalten in:
Byzantinische Zeitschrift, 97/1(2004-10), 214-216
Format:
Artikel (online)
Online Zugang:
| LEADER | caa a22 4500 | ||
|---|---|---|---|
| 001 | 378892746 | ||
| 003 | CHVBK | ||
| 005 | 20180305123459.0 | ||
| 007 | cr unu---uuuuu | ||
| 008 | 161128e200410 xx s 000 0 ger | ||
| 024 | 7 | 0 | |a 10.1515/BYZS.2004.214 |2 doi |
| 035 | |a (NATIONALLICENCE)gruyter-10.1515/BYZS.2004.214 | ||
| 100 | 1 | |a Jeffreys |D Elizabeth |u Oxford | |
| 245 | 1 | 0 | |a Alexander Kazhdan in collaboration with Lee E. Sherry and Christine Angelidi, A History of Byzantine Literature (650-850) |h [Elektronische Daten] |c [Elizabeth Jeffreys] |
| 520 | 3 | |a It is widely known that one of the projects that was most preoccupying the late, and much regretted, Alexander Kazhdan in his latter years was a study of Byzantine literature that would bring this field into the modern era. For far too long Byzantine literature, he asserted, had been encased in the strait-jacket imposed by Krumbacher's magisterial Geschichte. Byzantinists were constrained by a Handbuch mentality whose bonds had been confirmed by the three volumes that replaced Krumbacher's single tome: Beck on ‘Theologische Literatur' and ‘Volksliteratur' and Hunger on high-style secular literature. However humane the tone might appear at times in these reference works (Hunger's contributions being particularly noteworthy), nothing could disguise the fact that these books were taxonomic catalogues. Byzantium's literary output was categorised by genre, genres largely imposed by modern historians and not necessarily recognisable to any Byzantine: authors were disposed under a series of at times arbitrary divisions and it was virtually impossible to have a sense of any individual's total output; Psellos was perhaps the most notoriously splintered example. Furthermore, the content of these catalogues was resolutely pragmatic: names, dates, works, editions, contents. Qualitative assessments were eschewed, there was little interpretation of literary movements. | |
| 540 | |a © 2004 by K. G. Saur Verlag GmbH, München und Leipzig | ||
| 773 | 0 | |t Byzantinische Zeitschrift |d Walter de Gruyter GmbH & Co. KG |g 97/1(2004-10), 214-216 |x 0007-7704 |q 97:1<214 |1 2004 |2 97 |o BYZS | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/BYZS.2004.214 |q text/html |z Onlinezugriff via DOI |
| 908 | |D 1 |a research article |2 jats | ||
| 950 | |B NATIONALLICENCE |P 856 |E 40 |u https://doi.org/10.1515/BYZS.2004.214 |q text/html |z Onlinezugriff via DOI | ||
| 950 | |B NATIONALLICENCE |P 100 |E 1- |a Jeffreys |D Elizabeth |u Oxford | ||
| 950 | |B NATIONALLICENCE |P 773 |E 0- |t Byzantinische Zeitschrift |d Walter de Gruyter GmbH & Co. KG |g 97/1(2004-10), 214-216 |x 0007-7704 |q 97:1<214 |1 2004 |2 97 |o BYZS | ||
| 900 | 7 | |b CC0 |u http://creativecommons.org/publicdomain/zero/1.0 |2 nationallicence | |
| 898 | |a BK010053 |b XK010053 |c XK010000 | ||
| 949 | |B NATIONALLICENCE |F NATIONALLICENCE |b NL-gruyter | ||