Verbal humor without switching scripts and without non-bona fide communication
Gespeichert in:
Verfasser / Beitragende:
[John Morreall]
Ort, Verlag, Jahr:
2004
Enthalten in:
Humor - International Journal of Humor Research, 17/4(2004-09-23), 393-400
Format:
Artikel (online)
Online Zugang:
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| 024 | 7 | 0 | |a 10.1515/humr.2004.17.4.393 |2 doi |
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| 100 | 1 | |a Morreall |D John |u 1. College of William and Mary. | |
| 245 | 1 | 0 | |a Verbal humor without switching scripts and without non-bona fide communication |h [Elektronische Daten] |c [John Morreall] |
| 520 | 3 | |a According to Raskin's script-theory, five factors are necessary for verbal humor: 1) a switch from the bona fide mode of communication to the non-bona fide mode of joke-telling; 2) the text of an intended joke; 3) two (partially) overlapping scripts compatible with the text; 4) an oppositeness relation between the two scripts; and 5) a trigger, obvious or implied, realizing the oppositeness relation. I argue that although this theory works well with prepared fictional jokes, it does not explain all verbal humor. The reason is that prepared fictional jokes are a sophisticated kind of verbal humor with features which are not shared by other kinds of verbal humor. I illustrate with examples of semantic, phonetic, and pragmatic techniques for creating verbal humor without switching scripts and/or without switching to non-bona fide communication. | |
| 540 | |a © Walter de Gruyter | ||
| 690 | 7 | |a Sociolinguistics |2 nationallicence | |
| 690 | 7 | |a Anthropology |2 nationallicence | |
| 690 | 7 | |a Raskin |2 nationallicence | |
| 690 | 7 | |a script theory |2 nationallicence | |
| 690 | 7 | |a verbal humor |2 nationallicence | |
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| 690 | 7 | |a bona fide |2 nationallicence | |
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