caa a22 4500 386314039 CHVBK 20180307111559.0 cr unu---uuuuu 161130e198810 xx s 000 0 eng 10.1017/S0261127900000899 doi S0261127900000899 pii (NATIONALLICENCE)cambridge-10.1017/S0261127900000899 Haar James University of North Carolina at Chapel Hill Cosimo Bartoli on music [Elektronische Daten] [James Haar] To students of sixteenth-century music the Florentine man of letters Cosimo Bartoli (1503-72) is known chiefly for two statements made in the third dialogue of his Ragionamenti Accademici. One is a comparison of sculptors and musicians, with Donatello and Ockeghem seen as precursors of Michelangelo and Josquin. The other is an encomium of Verdelot, called the greatest composer after Josquin, to which is added the name of Arcadelt who ‘faithfully trod in the footsteps of Verdelot'. A number of musicologists have noticed that Bartoli had quite a lot more than this to say about music, and have cited other remarks from his work; but no one has to my knowledge dealt with the whole of the musical section of the Ragionamenti, and only Bartoli's recent and very excellent biographer Judith Bryce has spoken of the subject in the context of its author's career and personality. Copyright © Cambridge University Press 1988 Early Music History Cambridge University Press 8(1988-10), 37-79 0261-1279 8<37 1988 8 EMH https://doi.org/10.1017/S0261127900000899 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0261127900000899 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Haar James University of North Carolina at Chapel Hill NATIONALLICENCE 773 0- Early Music History Cambridge University Press 8(1988-10), 37-79 0261-1279 8<37 1988 8 EMH CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge