caa a22 4500 386319588 CHVBK 20180307111620.0 cr unu---uuuuu 161130e198805 xx s 000 0 eng 10.1017/S0040557400009091 doi S0040557400009091 pii (NATIONALLICENCE)cambridge-10.1017/S0040557400009091 Garvey Sheila Hickey Associate Professor, of Theatre Arts at Southern Connecticut State University The Origins of the O'Neill Renaissance: A History of the 1956 Productions of The Iceman Cometh and Long Day's Journey into Night [Elektronische Daten] [Sheila Hickey Garvey] At a press conference to publicize the opening of The Iceman Cometh in 1946, Eugene O'Neill was quoted as saying that he considered America "instead of the most successful country in the world, its greatest failure , the greatest failure because it was given everything, more than any other country. Through moving as rapidly as it has, it has never acquired any real roots. Its main idea is that everlasting game of trying to possess your own soul and the things outside of it, too.” Copyright © American Society for Theatre Research 1988 Theatre Survey Cambridge University Press 29/1(1988-05), 51-68 0040-5574 29:1<51 1988 29 TSY https://doi.org/10.1017/S0040557400009091 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0040557400009091 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Garvey Sheila Hickey Associate Professor, of Theatre Arts at Southern Connecticut State University NATIONALLICENCE 773 0- Theatre Survey Cambridge University Press 29/1(1988-05), 51-68 0040-5574 29:1<51 1988 29 TSY CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge