caa a22 4500 386325685 CHVBK 20180307111650.0 cr unu---uuuuu 161130e198910 xx s 000 0 eng 10.1017/S0041977X0003456X doi S0041977X0003456X pii (NATIONALLICENCE)cambridge-10.1017/S0041977X0003456X Sanni Amidu On taḍmīn (enjambment) and structural coherence in classical Arabic poetry [Elektronische Daten] [Amidu Sanni] The importance of poetry as the chief aesthetic experience of the Arabs as well as the principal repository of materials on their life and thought had long been recognized by the Arab and, following them, non-Arab students of Arabic culture. The fact that all the technical terminologies of Arabic verse which were formalized in ‘ilm al- ‘aruḍ (Prosody) are derived from the components of the bedouin tent—a highly prized possession—indicates the significance of the art to the Arab mind. The pride of place enjoyed by poetry in Arabic literary thought derives primarily from the hieratic idiom associated with it, as well as from its structural coherence, which relies on the harmony of prosodic factors (al-‘awāmilal-‘arūūiyya) associated with poetic praxis. Copyright © School of Oriental and African Studies, University of London 1989 Bulletin of the School of Oriental and African Studies Cambridge University Press 52/3(1989-10), 463-466 0041-977X 52:3<463 1989 52 BSO https://doi.org/10.1017/S0041977X0003456X text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0041977X0003456X text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Sanni Amidu NATIONALLICENCE 773 0- Bulletin of the School of Oriental and African Studies Cambridge University Press 52/3(1989-10), 463-466 0041-977X 52:3<463 1989 52 BSO CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge