caa a22 4500 386344825 CHVBK 20180307111807.0 cr unu---uuuuu 161130e198904 xx s 000 0 eng 10.1017/S0017383500029296 doi S0017383500029296 pii (NATIONALLICENCE)cambridge-10.1017/S0017383500029296 Domestic Disharmony in Euripides' Andromache [Elektronische Daten] The Andromache of Euripides has not had a good press. Sandwiched between more immediately attractive plays such as Medea and Hippolytos and the more controversial dramas such as Elektra and Herakles, it has for the most part languished in obscurity with the other less appealing plays of the 420s (e.g. Herakleidai, Hekabe). More than one critic has been overtly hostile, and what interest has been shown has tended to focus on its odd tripartite structure, the elegiacs unique to tragedy in Andromache's lament (103-16), 1 the possibility of its production other than at Athens (Σ ad v. 445, evidence of a most doubtful kind), and the two well-known anti-Spartan diatribes (445-63, 595-604). Copyright © The Classical Association 1989 Storey Ian C. Miller Norma P. Greece and Rome Cambridge University Press 36/1(1989-04), 16-27 0017-3835 36:1<16 1989 36 GAR https://doi.org/10.1017/S0017383500029296 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0017383500029296 text/html Onlinezugriff via DOI NATIONALLICENCE 700 1- Storey Ian C. NATIONALLICENCE 700 1- Miller Norma P. NATIONALLICENCE 773 0- Greece and Rome Cambridge University Press 36/1(1989-04), 16-27 0017-3835 36:1<16 1989 36 GAR CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge