caa a22 4500 386351937 CHVBK 20180307111836.0 cr unu---uuuuu 161130e198901 xx s 000 0 eng 10.1017/S0035869X00167863 doi S0035869X00167863 pii (NATIONALLICENCE)cambridge-10.1017/S0035869X00167863 Russell J. R. Parsi Zoroastrian Garbās and Monājāts [Elektronische Daten] [J. R. Russell] It is a strange circumstance, yet one immediately observable, that the Parsi community in India, so innovative and so energetically creative in many other respects, has failed to distinguish itself in the sphere of indigenous arts. In the acquisition of tastes and skills in European or hybrid pseudo-Persian architecture, in European-style portraiture, and in Classical music, the Parsis have been diligent, even as they long ago became eloquent masters of the English tongue. What of their arts can properly be called Zoroastrian? Copyright © The Royal Asiatic Society 1989 Journal of the Royal Asiatic Society of Great Britain & Ireland Cambridge University Press 121/1(1989-01), 51-63 0035-869X 121:1<51 1989 121 JRA https://doi.org/10.1017/S0035869X00167863 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0035869X00167863 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Russell J. R. NATIONALLICENCE 773 0- Journal of the Royal Asiatic Society of Great Britain & Ireland Cambridge University Press 121/1(1989-01), 51-63 0035-869X 121:1<51 1989 121 JRA CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge