caa a22 4500 386362459 CHVBK 20180307111920.0 cr unu---uuuuu 161130e198911 xx s 000 0 eng 10.1017/S0266464X00003638 doi S0266464X00003638 pii (NATIONALLICENCE)cambridge-10.1017/S0266464X00003638 Loney Glenn The American Actor Prepares: Scene-Study for Oblivion? [Elektronische Daten] [Glenn Loney] Never mind the theory, face the facts: is there room in the American theatre for all the performers graduating as drama majors from American universities? Glenn Loney, who has himself been teaching drama since 1960 as well as writing widely on theatrical subjects, sketches in the background to the American system, looks at the limited horizons for the newly qualified actor, and suggests a shift in the aims and orientation of academic drama - and the expectations of those who pursue it. Copyright © Cambridge University Press 1989 New Theatre Quarterly Cambridge University Press 5/20(1989-11), 315-320 0266-464X 5:20<315 1989 5 NTQ https://doi.org/10.1017/S0266464X00003638 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0266464X00003638 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Loney Glenn NATIONALLICENCE 773 0- New Theatre Quarterly Cambridge University Press 5/20(1989-11), 315-320 0266-464X 5:20<315 1989 5 NTQ CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge