caa a22 4500 386362475 CHVBK 20180307111920.0 cr unu---uuuuu 161130e198911 xx s 000 0 eng 10.1017/S0266464X00003626 doi S0266464X00003626 pii (NATIONALLICENCE)cambridge-10.1017/S0266464X00003626 Barba Eugenio The Fiction of Duality [Elektronische Daten] [Eugenio Barba] Eugenio Barba's work with Odin Teatret, and more recently with the International School of Theatre Anthropology, has always been substantiated by a body of developed critical theory, and in NTQ he has specifically developed his ideas about the nature of the actor's work in relation to its energies and their origins in experience and social ritual. In NTQ1 (1985), he outlined the problems involved in analyzing theatre-works rooted in performance rather than the written word; in NTQ4 (1985) he discussed his concept of the ‘dilated body', through which the performed taps the wellsprings of art and experience; and in NTQ16 (1988), he expanded his idea of the ‘body-in-life', describing the balance of energies which is essential for the actor to be fully realized. Here, he looks at the way in which the body is falsely perceived as the ‘actor's instrument', as somehow separate from himself, and discusses the processes of ‘inculturation' and ‘acculturation' - which give the actor a true ‘second-nature', and distinguish his work as ‘ritual in search of a meaning'. Copyright © Cambridge University Press 1989 New Theatre Quarterly Cambridge University Press 5/20(1989-11), 311-314 0266-464X 5:20<311 1989 5 NTQ https://doi.org/10.1017/S0266464X00003626 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0266464X00003626 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Barba Eugenio NATIONALLICENCE 773 0- New Theatre Quarterly Cambridge University Press 5/20(1989-11), 311-314 0266-464X 5:20<311 1989 5 NTQ CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge