caa a22 4500 386362645 CHVBK 20180307111921.0 cr unu---uuuuu 161130e198911 xx s 000 0 eng 10.1017/S0266464X00003675 doi S0266464X00003675 pii (NATIONALLICENCE)cambridge-10.1017/S0266464X00003675 Tyszka Juliusz Stanislavsky in Poland: Ethics and Politics of the Method [Elektronische Daten] [Juliusz Tyszka] The reception of most manifestations of Russian art and culture in Poland is linked inextricably with the political situation, and official and popular attitudes are often widely divergent. From the first visit of the Moscow Art Theatre to Warsaw in 1908, when most Poles boycotted the performances, through enthusiasm tempered by ignorance in the inter-war period, to the 'Stalinization' of Stanislavsky as official mediator of socialist realism in the late 'forties, Polish attitudes to the 'method' which was Stanislavsky's legacy are here examined by Juliusz Tyszka. Today, he concludes, Poles have largely consigned Stanislavsky to the lumber-room of history - though there are a few cautionary voices who urge his continuing relevance. Copyright © Cambridge University Press 1989 New Theatre Quarterly Cambridge University Press 5/20(1989-11), 361-369 0266-464X 5:20<361 1989 5 NTQ https://doi.org/10.1017/S0266464X00003675 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0266464X00003675 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Tyszka Juliusz NATIONALLICENCE 773 0- New Theatre Quarterly Cambridge University Press 5/20(1989-11), 361-369 0266-464X 5:20<361 1989 5 NTQ CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge