caa a22 4500 386362785 CHVBK 20180307111922.0 cr unu---uuuuu 161130e198902 xx s 000 0 eng 10.1017/S0266464X00015359 doi S0266464X00015359 pii (NATIONALLICENCE)cambridge-10.1017/S0266464X00015359 Coe Ada From Surrealism to Snoorealism: the Theatre of Snoo Wilson [Elektronische Daten] [Ada Coe] Snoo Wilson has remained one of the most distinctive of those playwrights who emerged from the ‘generation of 1968' - but unlike his collaborators in the early Portable Theatre, he has never been at home on the big stages of the establishment theatres. Sadly, this has also tended to deny him his proper share of critical and, indeed, audience attention: his highly allusive yet also highly elusive style has thus remained a specialized taste, and many of his plays have been denied even the dignity of publication. Accordingly, we accompany the following article by Ada Coe, in which she examines one of the many threads which contribute to Snoo Wilson's work - his recurrent concern with the world of animals and its symbolism - with an ‘NTQ Checklist' of Snoo Wilson's complete dramatic output compiled by NTQ Editor Simon Trussler. in collaboration with Malcolm Page of Simon Fraser University. British Columbia, and NTQ's assistant editor, Elaine Turner. Copyright © Cambridge University Press 1989 New Theatre Quarterly Cambridge University Press 5/17(1989-02), 73-85 0266-464X 5:17<73 1989 5 NTQ https://doi.org/10.1017/S0266464X00015359 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0266464X00015359 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Coe Ada NATIONALLICENCE 773 0- New Theatre Quarterly Cambridge University Press 5/17(1989-02), 73-85 0266-464X 5:17<73 1989 5 NTQ CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge