caa a22 4500 386362858 CHVBK 20180307111922.0 cr unu---uuuuu 161130e198902 xx s 000 0 eng 10.1017/S0266464X00015323 doi S0266464X00015323 pii (NATIONALLICENCE)cambridge-10.1017/S0266464X00015323 van Erven Eugène Beyond the Shadows of Wayang: Liberation Theatre in Indonesia [Elektronische Daten] [Eugène van Erven] Outside its ‘classic' forms, little is known in the West about the theatre of Indonesia. The colonial ‘heritage' proved largely sterile, and the more fruitful recent developments of the past few decades have been dominated by attempts to integrate the indigenous tradition with contemporary problems and needs. Eugène van Erven has spent several years exploring new theatrical movements and activities in the Pacific region, and earlier results of his studies appeared in NTQ 10 (1987), on the People's Theatre Network of the Philippines. Here, he introduces the work of the two leading theatre-of-liberation companies in Indonesia, Teater Arena and Teater Dinasti, and analyzes their contrasting approaches to the integration of ‘theatre-of-liberation' techniques with distinctively Indonesian social, religious, and theatrical traditions. Eugène van Erven also contributed a study of recent political theatre in Spain to NTQ 13 (1988), and has recently taken up a post lecturing in English at the University of Utrecht. Copyright © Cambridge University Press 1989 New Theatre Quarterly Cambridge University Press 5/17(1989-02), 36-51 0266-464X 5:17<36 1989 5 NTQ https://doi.org/10.1017/S0266464X00015323 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0266464X00015323 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- van Erven Eugène NATIONALLICENCE 773 0- New Theatre Quarterly Cambridge University Press 5/17(1989-02), 36-51 0266-464X 5:17<36 1989 5 NTQ CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge