caa a22 4500 386363013 CHVBK 20180307111922.0 cr unu---uuuuu 161130e198902 xx s 000 0 eng 10.1017/S0266464X00015347 doi S0266464X00015347 pii (NATIONALLICENCE)cambridge-10.1017/S0266464X00015347 Watson Ian Eugenio Barba: the Latin American Connection [Elektronische Daten] [Ian Watson] The theoretical writings of Eugenio Barba on the nature and disciplines of acting have been a feature of NTQ since its first issue. These writings emerge, of course, from Barba's work with Odin Teatret, which recently celebrated its twentieth anniversary from its base in Holstebro, Denmark - and also from his formative association with ISTA. the International School of Theatre Anthropology. Accordingly, when a leading authority recently described Barba, along with Brecht and Grotowski, as one of the three major European influences on contemporary Latin American theatre, he was paying tribute to active participation and cross-fertilization, rather than to textbook discipleship. In the following article, Ian Watson, whose study of ‘Catharsis and the Actor' appeared in NTQ 16 (1988), looks in detail at the nature and the consequences of Barba's ‘Latin American connection'. Copyright © Cambridge University Press 1989 New Theatre Quarterly Cambridge University Press 5/17(1989-02), 67-72 0266-464X 5:17<67 1989 5 NTQ https://doi.org/10.1017/S0266464X00015347 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0266464X00015347 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Watson Ian NATIONALLICENCE 773 0- New Theatre Quarterly Cambridge University Press 5/17(1989-02), 67-72 0266-464X 5:17<67 1989 5 NTQ CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge