caa a22 4500 386363412 CHVBK 20180307111924.0 cr unu---uuuuu 161130e198905 xx s 000 0 eng 10.1017/S0266464X00003031 doi S0266464X00003031 pii (NATIONALLICENCE)cambridge-10.1017/S0266464X00003031 Sardelli Alessandro ‘When a Dream Vanishes': Edward Gordon Craig in Florence [Elektronische Daten] [Alessandro Sardelli] When Gordon Craig settled in Florence before the First World War, he found himself amidst a flourishing avant-garde artistic community. which he regarded with some caution. Between the staging of Rosmersholm with Duse in 1906 and the closing of his short-lived theatre school at the Goldoni Arena in 1914, he also conducted a correspondence with the eclectic cosmopolitan Carlo Placci - a previously unpublished source on which Alessandro Sardelli has drawn to illuminate Craig's Florentine years, during which his influential journal The Mask made its earliest appearance, and Craig also developed the idea of his adjustable screens, first employed during his Moscow collaboration with Stanislavski on Hamlet. Copyright © Cambridge University Press 1989 New Theatre Quarterly Cambridge University Press 5/18(1989-05), 140-151 0266-464X 5:18<140 1989 5 NTQ https://doi.org/10.1017/S0266464X00003031 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0266464X00003031 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Sardelli Alessandro NATIONALLICENCE 773 0- New Theatre Quarterly Cambridge University Press 5/18(1989-05), 140-151 0266-464X 5:18<140 1989 5 NTQ CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge