caa a22 4500 386363501 CHVBK 20180307111924.0 cr unu---uuuuu 161130e198905 xx s 000 0 eng 10.1017/S0266464X0000302X doi S0266464X0000302X pii (NATIONALLICENCE)cambridge-10.1017/S0266464X0000302X Bakshi Parminder Kaur Jagran: Theatre for Education and Development [Elektronische Daten] [Parminder Kaur Bakshi] ‘Jagran' means ‘awakening' - as Aloke Roy, the director of this Delhi-based company points out, a more immediate term for most of his marginalized Indian audiences than ‘consciousness-raising'. In a multilingual society. Roy also found in mime a more immediately expressive means of theatrical communication for the street-corners and other sites of urban dereliction where his company typically performs its fifteen to forty-minute pieces, each of which focuses upon a particular social issue or contemporary problem. Parminder Kaur Bakshi, of the University of Warwick, recently visited the company in Delhi and experienced their work, which she here introduces before discussing with Aloke Roy the origins, development, and techniques of the group. Outline scenarios of a selection of the Jagran pantomimes accompany the feature. Copyright © Cambridge University Press 1989 New Theatre Quarterly Cambridge University Press 5/18(1989-05), 124-139 0266-464X 5:18<124 1989 5 NTQ https://doi.org/10.1017/S0266464X0000302X text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0266464X0000302X text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Bakshi Parminder Kaur NATIONALLICENCE 773 0- New Theatre Quarterly Cambridge University Press 5/18(1989-05), 124-139 0266-464X 5:18<124 1989 5 NTQ CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge