caa a22 4500 386383405 CHVBK 20180307112050.0 cr unu---uuuuu 161130s1989 xx s 000 0 eng 10.1017/S0307883300006131 doi S0307883300006131 pii (NATIONALLICENCE)cambridge-10.1017/S0307883300006131 Kaiser-Lenoir Claudia Argentine New Theatre: The Coming of Age of Popular Tradition [Elektronische Daten] [Claudia Kaiser-Lenoir] In order to assess Argentine New Theatre and traditional popular drama as comprising a phenomenon of convergence and continuity, one needs first to examine both forms in their relationship to hegemonic culture. Culture is viewed here not in monolithic terms, but rather as defined by its organic ties to a specific socio-political context. Consequently, the central question to be addressed is the way those ties become explicit in the artistic products themselves and, most importantly, in their functionality within the social sector they are inserted in. That functionality defines the ideological line between popular and mass culture, and determines the dynamic links between the New Theatre and traditional dramatic forms, in spite of obvious differences in discourse. Copyright © International Federation for Theatre Research 1989 Theatre Research International Cambridge University Press 14/2(1989), 165-174 0307-8833 14:2<165 1989 14 TRI https://doi.org/10.1017/S0307883300006131 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0307883300006131 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Kaiser-Lenoir Claudia NATIONALLICENCE 773 0- Theatre Research International Cambridge University Press 14/2(1989), 165-174 0307-8833 14:2<165 1989 14 TRI CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge