<?xml version="1.0" encoding="UTF-8"?>
<collection xmlns="http://www.loc.gov/MARC21/slim">
 <record>
  <leader>     caa a22        4500</leader>
  <controlfield tag="001">386383669</controlfield>
  <controlfield tag="003">CHVBK</controlfield>
  <controlfield tag="005">20180307112051.0</controlfield>
  <controlfield tag="007">cr unu---uuuuu</controlfield>
  <controlfield tag="008">161130s1989    xx      s     000 0 eng  </controlfield>
  <datafield tag="024" ind1="7" ind2="0">
   <subfield code="a">10.1017/S0307883300006118</subfield>
   <subfield code="2">doi</subfield>
  </datafield>
  <datafield tag="024" ind1="7" ind2="0">
   <subfield code="a">S0307883300006118</subfield>
   <subfield code="2">pii</subfield>
  </datafield>
  <datafield tag="035" ind1=" " ind2=" ">
   <subfield code="a">(NATIONALLICENCE)cambridge-10.1017/S0307883300006118</subfield>
  </datafield>
  <datafield tag="100" ind1="1" ind2=" ">
   <subfield code="a">Weiss</subfield>
   <subfield code="D">Judith A.</subfield>
  </datafield>
  <datafield tag="245" ind1="1" ind2="0">
   <subfield code="a">Traditional Popular Culture and the Cuban ‘New Theatre': Teatro Escambray and the Cabildo de Santiago</subfield>
   <subfield code="h">[Elektronische Daten]</subfield>
   <subfield code="c">[Judith A. Weiss]</subfield>
  </datafield>
  <datafield tag="520" ind1="3" ind2=" ">
   <subfield code="a">The community-based popular theatre movement began in Cuba about ten years after the triumph of the revolution, but its main pioneers, the founders of the Cabildo de Santiago and Teatro Escambray, were professionals with considerable experience in virtually every style and experimental form of theatre. This article concentrates on the most dynamic period of the Cuban ‘nuevo teatro', the 1970s, when the Cabildo and Teatro Escambray emerged as internationally recognized models of popular theatre and as valuable sources for research into Cuban cultural tradition and revolutionary transformation.</subfield>
  </datafield>
  <datafield tag="540" ind1=" " ind2=" ">
   <subfield code="a">Copyright © International Federation for Theatre Research 1989</subfield>
  </datafield>
  <datafield tag="773" ind1="0" ind2=" ">
   <subfield code="t">Theatre Research International</subfield>
   <subfield code="d">Cambridge University Press</subfield>
   <subfield code="g">14/2(1989), 142-152</subfield>
   <subfield code="x">0307-8833</subfield>
   <subfield code="q">14:2&lt;142</subfield>
   <subfield code="1">1989</subfield>
   <subfield code="2">14</subfield>
   <subfield code="o">TRI</subfield>
  </datafield>
  <datafield tag="856" ind1="4" ind2="0">
   <subfield code="u">https://doi.org/10.1017/S0307883300006118</subfield>
   <subfield code="q">text/html</subfield>
   <subfield code="z">Onlinezugriff via DOI</subfield>
  </datafield>
  <datafield tag="908" ind1=" " ind2=" ">
   <subfield code="D">1</subfield>
   <subfield code="a">research-article</subfield>
   <subfield code="2">jats</subfield>
  </datafield>
  <datafield tag="950" ind1=" " ind2=" ">
   <subfield code="B">NATIONALLICENCE</subfield>
   <subfield code="P">856</subfield>
   <subfield code="E">40</subfield>
   <subfield code="u">https://doi.org/10.1017/S0307883300006118</subfield>
   <subfield code="q">text/html</subfield>
   <subfield code="z">Onlinezugriff via DOI</subfield>
  </datafield>
  <datafield tag="950" ind1=" " ind2=" ">
   <subfield code="B">NATIONALLICENCE</subfield>
   <subfield code="P">100</subfield>
   <subfield code="E">1-</subfield>
   <subfield code="a">Weiss</subfield>
   <subfield code="D">Judith A.</subfield>
  </datafield>
  <datafield tag="950" ind1=" " ind2=" ">
   <subfield code="B">NATIONALLICENCE</subfield>
   <subfield code="P">773</subfield>
   <subfield code="E">0-</subfield>
   <subfield code="t">Theatre Research International</subfield>
   <subfield code="d">Cambridge University Press</subfield>
   <subfield code="g">14/2(1989), 142-152</subfield>
   <subfield code="x">0307-8833</subfield>
   <subfield code="q">14:2&lt;142</subfield>
   <subfield code="1">1989</subfield>
   <subfield code="2">14</subfield>
   <subfield code="o">TRI</subfield>
  </datafield>
  <datafield tag="900" ind1=" " ind2="7">
   <subfield code="b">CC0</subfield>
   <subfield code="u">http://creativecommons.org/publicdomain/zero/1.0</subfield>
   <subfield code="2">nationallicence</subfield>
  </datafield>
  <datafield tag="898" ind1=" " ind2=" ">
   <subfield code="a">BK010053</subfield>
   <subfield code="b">XK010053</subfield>
   <subfield code="c">XK010000</subfield>
  </datafield>
  <datafield tag="949" ind1=" " ind2=" ">
   <subfield code="B">NATIONALLICENCE</subfield>
   <subfield code="F">NATIONALLICENCE</subfield>
   <subfield code="b">NL-cambridge</subfield>
  </datafield>
 </record>
</collection>
