caa a22 4500 386383871 CHVBK 20180307112052.0 cr unu---uuuuu 161130s1989 xx s 000 0 eng 10.1017/S0307883300005563 doi S0307883300005563 pii (NATIONALLICENCE)cambridge-10.1017/S0307883300005563 George David School of Human Communication, Murdoch University, Western Australia. On Ambiguity: Towards a Post-Modern Performance Theory [Elektronische Daten] [David George] The challenge and the excitement of expanding both the focus of our research and the field of our praxis beyond Theatre (or Film, Pop or Video) to Performance is to identify phenomena which transcend one medium and may enable us to know something about acting as such, spectating as such and thus ‘being' as such: performance, not as a second-hand version of some more primary reality, but as a ‘realm' in its own right. Copyright © International Federation for Theatre Research 1989 Theatre Research International Cambridge University Press 14/1(1989), 71-85 0307-8833 14:1<71 1989 14 TRI https://doi.org/10.1017/S0307883300005563 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0307883300005563 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- George David School of Human Communication, Murdoch University, Western Australia NATIONALLICENCE 773 0- Theatre Research International Cambridge University Press 14/1(1989), 71-85 0307-8833 14:1<71 1989 14 TRI CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge