caa a22 4500 386384045 CHVBK 20180307112052.0 cr unu---uuuuu 161130s1989 xx s 000 0 eng 10.1017/S030788330000897X doi S030788330000897X pii (NATIONALLICENCE)cambridge-10.1017/S030788330000897X Whitton David Tristan Tzara's Mouchoir de nuages [Elektronische Daten] [David Whitton] Tzara's role in the Dada onslaught on the theatre is well known. His Le Cœur à gaz (1921) is often regarded as the masterpiece of that genre. It is sometimes overlooked, though, that Tzara's theatrical activity did not cease with the disintegration of the Dada movement. His fourth and final play, Mouchoir de nuages (1924), is often relegated to the status of a minor coda to his earlier experiments. It is certainly a less revolutionary work than Le Cœur à gaz or the two celestial adventures of Monsieur Antipyrine. On its own terms, though - that is, as an attempt at theatrical renewal rather than theatrical demolition - it is no less noteworthy than its more notorious predecessors. Copyright © International Federation for Theatre Research 1989 Theatre Research International Cambridge University Press 14/3(1989), 271-287 0307-8833 14:3<271 1989 14 TRI https://doi.org/10.1017/S030788330000897X text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S030788330000897X text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Whitton David NATIONALLICENCE 773 0- Theatre Research International Cambridge University Press 14/3(1989), 271-287 0307-8833 14:3<271 1989 14 TRI CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge