caa a22 4500 386388547 CHVBK 20180307112106.0 cr unu---uuuuu 161130e198910 xx s 000 0 eng 10.1017/S0261143000003573 doi S0261143000003573 pii (NATIONALLICENCE)cambridge-10.1017/S0261143000003573 Tagg Philip Open letter [Elektronische Daten] ‘Black music', ‘Afro-American music' and ‘European music'1 [Philip Tagg] I have recently found myself reacting with some irritation on meeting such terms as ‘black music', ‘white music', ‘Afro-American music' and ‘European music'. The aim of this letter, written mainly with white European or North American students, friends and colleagues in mind, is to question the validity of these terms, to bring some issues lurking behind their general usage out into the scribal daylight and, hopefully, to provide some ideas for a constructive debate on music, race and ideology. Copyright © Cambridge University Press 1989 Popular Music Cambridge University Press 8/3(1989-10), 285-298 0261-1430 8:3<285 1989 8 PMU https://doi.org/10.1017/S0261143000003573 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0261143000003573 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Tagg Philip NATIONALLICENCE 773 0- Popular Music Cambridge University Press 8/3(1989-10), 285-298 0261-1430 8:3<285 1989 8 PMU CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge