caa a22 4500 386388571 CHVBK 20180307112107.0 cr unu---uuuuu 161130e198910 xx s 000 0 eng 10.1017/S0261143000003536 doi S0261143000003536 pii (NATIONALLICENCE)cambridge-10.1017/S0261143000003536 Alaja-Browne Afolabi A diachronic study of change in juju music [Elektronische Daten] [Afolabi Alaja-Browne] Juju music, popular in Nigeria, first emerged in the island city of Lagos during the third decade of this century. Since its beginning, however, the music has undergone changes in both concept and practice as might be expected of any dynamic musical style. These changes have arisen not only through cultural contact and creative musical innovations, but also through the musical consequences of social, political, economic and other changes in contemporary Nigerian society and culture. This article seeks to identify and evaluate the change in juju music from two vantage points: (1) that of style which identifies it and provides a foundation against which continuity or stability through time can be measured; and (2) that of innovation whose creation and diffusion are examined diachronically against the contexts of society and culture. Copyright © Cambridge University Press 1989 Popular Music Cambridge University Press 8/3(1989-10), 232-242 0261-1430 8:3<232 1989 8 PMU https://doi.org/10.1017/S0261143000003536 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0261143000003536 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Alaja-Browne Afolabi NATIONALLICENCE 773 0- Popular Music Cambridge University Press 8/3(1989-10), 232-242 0261-1430 8:3<232 1989 8 PMU CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence SWISSBIB 218009348 BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge