caa a22 4500 386388903 CHVBK 20180307112108.0 cr unu---uuuuu 161130e198901 xx s 000 0 eng 10.1017/S0261143000003147 doi S0261143000003147 pii (NATIONALLICENCE)cambridge-10.1017/S0261143000003147 Moore John ‘The hieroglyphics of love': the torch singers and interpretation [Elektronische Daten] [John Moore] The first law of love is subjective: subjectively, jealousy is deeper than love, it contains love's truth. This is because jealousy goes further in the apprehension and interpretation of signs. It is the designation of love, its finality. Indeed, it is inevitable that the signs of a loved person, once we ‘explicate' them, should be revealed as deceptive: addressed to us, they nonetheless express worlds which exclude us and which the beloved will not and cannot make us know ... Love's signs ... are deceptive signs which can be addressed to us only by concealing what they express: the origin of unknown worlds, of unknown actions and thoughts which give them a meaning. They do not excite superficial, nervous exaltation, but the suffering of a deeper exploration. The beloved's lies are the hieroglyphics of love. The interpreter of love's signs is necessarily the interpreter of lies. His fate is expressed in the motto: to love without being loved. (Deleuze 1973) Copyright © Cambridge University Press 1989 Popular Music Cambridge University Press 8/1(1989-01), 31-58 0261-1430 8:1<31 1989 8 PMU https://doi.org/10.1017/S0261143000003147 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0261143000003147 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Moore John NATIONALLICENCE 773 0- Popular Music Cambridge University Press 8/1(1989-01), 31-58 0261-1430 8:1<31 1989 8 PMU CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge