caa a22 4500 386389101 CHVBK 20180307112108.0 cr unu---uuuuu 161130e198905 xx s 000 0 eng 10.1017/S0261143000003378 doi S0261143000003378 pii (NATIONALLICENCE)cambridge-10.1017/S0261143000003378 Murphey Tim The when, where, and who of pop lyrics: the listener's prerogative [Elektronische Daten] [Tim Murphey] That we identify with those around us, whether in novels, movies, poetry, songs, the news or on the street, is natural. To a certain extent we mirror what we perceive, but we also perceive it in our own ways and make it fit, to a certain extent, our concept of the world. However, we, and the things we communicate, are also moulders. How much we mould and how much we mirror is difficult to discern, and of course problematic in something like objective news reporting. Copyright © Cambridge University Press 1989 Popular Music Cambridge University Press 8/2(1989-05), 185-193 0261-1430 8:2<185 1989 8 PMU https://doi.org/10.1017/S0261143000003378 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0261143000003378 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Murphey Tim NATIONALLICENCE 773 0- Popular Music Cambridge University Press 8/2(1989-05), 185-193 0261-1430 8:2<185 1989 8 PMU CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge