caa a22 4500 388025611 CHVBK 20180307124937.0 cr unu---uuuuu 161130e199812 xx s 000 0 eng 10.1017/S0040298200006811 doi S0040298200006811 pii (NATIONALLICENCE)cambridge-10.1017/S0040298200006811 Willson Rachel Beckles Kurtág's Instrumental Music, 1988-1998 [Elektronische Daten] [Rachel Beckles Willson] During the 20 years that followed the completion of his first vocal work, The sayings of Páter Boniemisza op.7 (1963-68), György Kurtág established himself as a composer with an exceptional aptitude for vocal writing. His compositions for voice outweigh those for instruments alone in both quantity and substance throughout this period, during which his second string quartet, Hommage à Mihály András (12 Microludes) op. 13 (1977), is a ravishingly beautiful anomaly. Copyright © Cambridge University Press 1998 Tempo Cambridge University Press 207(1998-12), 15-21 0040-2982 ::207<15 1998 TEM https://doi.org/10.1017/S0040298200006811 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0040298200006811 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Willson Rachel Beckles NATIONALLICENCE 773 0- Tempo Cambridge University Press 207(1998-12), 15-21 0040-2982 ::207<15 1998 TEM CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence SWISSBIB 092900755 BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge