caa a22 4500 388025824 CHVBK 20180307124937.0 cr unu---uuuuu 161130e199810 xx s 000 0 eng 10.1017/S0040298200006665 doi S0040298200006665 pii (NATIONALLICENCE)cambridge-10.1017/S0040298200006665 Kovnatskaya Ludmila Shostakovich and the LASM [Elektronische Daten] [Ludmila Kovnatskaya] In the 1920s there were plenty of new opportunities for young composers to meet colleagues of all ages in the many circles, societies and associations which were then in existence. The most interesting, though short-lived of them was the Leningrad Association of Contemporary Music (LASM), which declared itself to be ‘a gathering of everyone connected with music today'. The Association was planned as a local branch of the International Society of Contemporary Music (ISCM) and of the central Moscow association. But in fact the LASM acted quite independently. Its founders were people who were already well-placed and even high-ranking in the country's musical life: the musicologists and critics Boris Asafyev (Igor Glebov), Vyacheslav Karatigin, Alexander Ossovsky and Andrey Rimsky-Korsakov, the composers Yuliya Weysberg, Alexander Zhitomirsky, Andrey Paschenko, Yuriy Tyulin, Maximilian Shteinberg, Lyubov Shtreikher-Bikhter and Vladimir Shcherbachev. Their first meeting took place on 15 April 1925 at the home of Rimsky-Korsakov and Weysberg. Copyright © Cambridge University Press 1998 Tempo Cambridge University Press 206(1998-10), 2-6 0040-2982 ::206<2 1998 TEM https://doi.org/10.1017/S0040298200006665 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0040298200006665 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Kovnatskaya Ludmila NATIONALLICENCE 773 0- Tempo Cambridge University Press 206(1998-10), 2-6 0040-2982 ::206<2 1998 TEM CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge