caa a22 4500 388025883 CHVBK 20180307124937.0 cr unu---uuuuu 161130e199807 xx s 000 0 eng 10.1017/S004029820000646X doi S004029820000646X pii (NATIONALLICENCE)cambridge-10.1017/S004029820000646X Gillies Malcolm Bartók and Boosey & Hawkes: The American Years [Elektronische Daten] [Malcolm Gillies] By mid-1940 Bartók had decided to live in the United States. For how long and under what conditions, he did not really know. But, from his short tour of April and May 1940, he had come to believe that the prospects for his performing, compositional and ethnomusicological work werebrighter in New York than in Hungary, where a Nazi take-over seemed only a matter of time. The Bartóks' departure from their homeland was an unhappy affair, not just because of the myriad hassles of arranging visas and boxing up a lifetime's work, but also because of a lastminute quarrel with Kodály over unexpected directions which Bartók had taken in their joint project on Hungarian folk music. The two would, in fact, never again directly communicate. Copyright © Cambridge University Press 1998 Tempo Cambridge University Press 205(1998-07), 8-11 0040-2982 ::205<8 1998 TEM https://doi.org/10.1017/S004029820000646X text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S004029820000646X text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Gillies Malcolm NATIONALLICENCE 773 0- Tempo Cambridge University Press 205(1998-07), 8-11 0040-2982 ::205<8 1998 TEM CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge