caa a22 4500 388052724 CHVBK 20180307125058.0 cr unu---uuuuu 161130e199810 xx s 000 0 eng 10.1017/S0261127900001625 doi S0261127900001625 pii (NATIONALLICENCE)cambridge-10.1017/S0261127900001625 Getz Christine Baylor University The Sforza restoration and the founding of the ducal chapels at Santa Maria della Scala in Milan and Sant'Ambrogio in Vigevano [Elektronische Daten] [Christine Getz] Although a number of motet, madrigal and lute collections supported by local Milanese patrons were printed in Milan and Venice during the first half of the sixteenth century, modern scholars continue to regard this period in Milanese history as fallow in musical activity. This phenomenon has resulted from a lack of documentary evidence regarding both the activities of the musicians who contributed to these collections and the musical institutions with which these musicians and their patrons were associated. While several studies on music at the Duomo of Milan during the first half of the sixteenth century do esixt, Guglielmo Barblan's poineering study remains the only comprehensive survey of civic and courtly music of the period, and it focuses primarily spon instrumental musicians, thus leaving largely unanswered the questions of where and by whom the aforementioned Milanese motests and madrigals were performed. Copyright © Cambridge University Press 1998 Early Music History Cambridge University Press 17(1998-10), 109-159 0261-1279 17<109 1998 17 EMH https://doi.org/10.1017/S0261127900001625 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0261127900001625 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Getz Christine Baylor University NATIONALLICENCE 773 0- Early Music History Cambridge University Press 17(1998-10), 109-159 0261-1279 17<109 1998 17 EMH CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence SWISSBIB 117255041 BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge