caa a22 4500 388058137 CHVBK 20180307125112.0 cr unu---uuuuu 161130e199811 xx s 000 0 eng 10.1017/S0040557400010127 doi S0040557400010127 pii (NATIONALLICENCE)cambridge-10.1017/S0040557400010127 Dierks Lynn Candidate for the interdisciplinary Ph.D. in Theatre and Drama at Northwestern University, working on her dissertation, "Alternative Spectatorship in German Theatrical Expressionism.” Arnolt Bronnen's Vatermord and the German Youth of 1922 [Elektronische Daten] [Lynn Dierks] As scholars investigating historical audiences, we are always searching for that magic moment when the theatre critic shifts in his seat, notices the people around him and finds them interesting enough to write down his observations. When such a moment occurs, we are given the rare opportunity to witness a spectatorial presence and spectatorial response not usually represented by theatre reviews. One such magic moment occurred on April 22, 1922, in Frankfurt, Germany at the premiere of Arnolt Bronnen's play Vatermord (Patricide). Carl Zuckmayer, a fellow playwright, drew his eyes away from the expressionist play before him and lifted them to the gallery. He recorded his experience in his review for Die Neue Schaubühne: Copyright © American Society for Theatre Research 1998 Theatre Survey Cambridge University Press 39/2(1998-11), 25-38 0040-5574 39:2<25 1998 39 TSY https://doi.org/10.1017/S0040557400010127 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0040557400010127 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Dierks Lynn Candidate for the interdisciplinary Ph.D. in Theatre and Drama at Northwestern University, working on her dissertation, "Alternative Spectatorship in German Theatrical Expressionism.” NATIONALLICENCE 773 0- Theatre Survey Cambridge University Press 39/2(1998-11), 25-38 0040-5574 39:2<25 1998 39 TSY CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge