caa a22 4500 388058145 CHVBK 20180307125112.0 cr unu---uuuuu 161130e199811 xx s 000 0 eng 10.1017/S0040557400010140 doi S0040557400010140 pii (NATIONALLICENCE)cambridge-10.1017/S0040557400010140 New Views of Cheap Theatres: Reconstructing the Nineteenth-Century Theatre Audience [Elektronische Daten] Our views about nineteenth-century London theatre audiences are often dominated by essentialist descriptions via which subjective impressions have been transmuted into received orthodoxy. In this article, with reference to topography, demography (based on the 1841-1861 censuses), police reports, and patterns of urban transportation, we are attempting to counter some of these received orthodoxies, using as our model a re-evaluation of what is meant by a "transpontine” or "Surrey-side” audience with reference to the Coburg (Victoria) and Surrey Theatres. Copyright © American Society for Theatre Research 1998 Davis Jim Associate Professor and Chair of the School of Theatre, Film, and Dance Studies at the University of New South Wales, Australia. Emeljanow Victor Professor and Chair of the Department of Drama, University of Newcastle, Australia. Theatre Survey Cambridge University Press 39/2(1998-11), 53-72 0040-5574 39:2<53 1998 39 TSY https://doi.org/10.1017/S0040557400010140 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0040557400010140 text/html Onlinezugriff via DOI NATIONALLICENCE 700 1- Davis Jim Associate Professor and Chair of the School of Theatre, Film, and Dance Studies at the University of New South Wales, Australia NATIONALLICENCE 700 1- Emeljanow Victor Professor and Chair of the Department of Drama, University of Newcastle, Australia NATIONALLICENCE 773 0- Theatre Survey Cambridge University Press 39/2(1998-11), 53-72 0040-5574 39:2<53 1998 39 TSY CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge