caa a22 4500 388058323 CHVBK 20180307125113.0 cr unu---uuuuu 161130e199805 xx s 000 0 eng 10.1017/S0040557400002982 doi S0040557400002982 pii (NATIONALLICENCE)cambridge-10.1017/S0040557400002982 Worthen W. B. Shakespeare and Postmodern Production: An Introduction [Elektronische Daten] [W. B. Worthen] This issue of Theatre Survey explores the condition of postmodern Shakespeare production, and by implication the situation of classic drama on the horizon of the contemporary stage. Working on this issue has been, for both of its coeditors, a surprising experience. Theatre Survey is a distinguished journal in the field of theatre history and historiography, and with this issue we intended to press the journal's agenda toward the history and theory of contemporary culture, generating a series of articles on radical, revisionist, and alternative ways of putting "the ‘classics' into play.” Because we understand this enterprise—from the Kathakali King Lear to Robert Wilson's When We Dead Awaken to Heiner Müller's Medeamaterial to Baz Luhrmann's William Shakespeare's Romeo + Juliet—to stand in a strategic relation to modernity, we were calling the issue "Performance: Modern and Postmodern.” Copyright © American Society for Theatre Research 1998 Theatre Survey Cambridge University Press 39/1(1998-05), 1-5 0040-5574 39:1<1 1998 39 TSY https://doi.org/10.1017/S0040557400002982 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0040557400002982 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Worthen W. B. NATIONALLICENCE 773 0- Theatre Survey Cambridge University Press 39/1(1998-05), 1-5 0040-5574 39:1<1 1998 39 TSY CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge