caa a22 4500 388066555 CHVBK 20180307125134.0 cr unu---uuuuu 161130e199903 xx s 000 0 eng 10.1017/S0954586700005528 doi S0954586700005528 pii (NATIONALLICENCE)cambridge-10.1017/S0954586700005528 Huebner Steven Naturalism and supernaturalism in Alfred Bruneau' Le Rêve [Elektronische Daten] [Steven Huebner] ‘If forced to choose, I would prefer Monsieur Zola widi wings than Monsieur Zola on all fours.' So groused Anatole France about the apparent new turn in Emile Zola's great Rougon-Macquart cycle taken by die publication of Le Rêve in 1888. Because the gritty surface of La Bête humaine (1890) followed closely upon the delicate folds of Le Rêve, France's critical quandary was soon resolved. Yet ever since the publication of Le Rêve even critics much more congenial to Zola than France have remarked upon the unusual place in die Rougon-Macquart of this tale about a virginal heroine set adrift in the small provincial town of Beaumont. Copyright © Cambridge University Press 1999 Cambridge Opera Journal Cambridge University Press 11/1(1999-03), 77-101 0954-5867 11:1<77 1999 11 OPR https://doi.org/10.1017/S0954586700005528 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0954586700005528 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Huebner Steven NATIONALLICENCE 773 0- Cambridge Opera Journal Cambridge University Press 11/1(1999-03), 77-101 0954-5867 11:1<77 1999 11 OPR CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence SWISSBIB 117192325 BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge