caa a22 4500 388066628 CHVBK 20180307125134.0 cr unu---uuuuu 161130e199911 xx s 000 0 eng 10.1017/S0954586700005073 doi S0954586700005073 pii (NATIONALLICENCE)cambridge-10.1017/S0954586700005073 Death drive: Eros and Thanatos in Wagner's Tristan und Isolde [Elektronische Daten] In their different ways, a series of Germanic artists and thinkers - the poet Novalis, the philosophers Arthur Schopenhauer and Friedrich Nietzsche, the father of psychoanalysis Sigmund Freud, and, most powerfully, composer Richard Wagner - all espoused at one point in their lives the view that death should not only be welcomed but ardently desired, even sought after as the final rest after a life of striving and suffering. Copyright © Cambridge University Press 1999 Hutcheon Linda Hutcheon Michael Cambridge Opera Journal Cambridge University Press 11/3(1999-11), 267-293 0954-5867 11:3<267 1999 11 OPR https://doi.org/10.1017/S0954586700005073 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0954586700005073 text/html Onlinezugriff via DOI NATIONALLICENCE 700 1- Hutcheon Linda NATIONALLICENCE 700 1- Hutcheon Michael NATIONALLICENCE 773 0- Cambridge Opera Journal Cambridge University Press 11/3(1999-11), 267-293 0954-5867 11:3<267 1999 11 OPR CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence SWISSBIB 117192171 BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge