caa a22 4500 388090340 CHVBK 20180307125248.0 cr unu---uuuuu 161130e199906 xx s 000 0 eng 10.2307/3170863 doi S0009640700084924 pii (NATIONALLICENCE)cambridge-10.2307/3170863 Samuel Flora Lecturer in architectural design at Cardiff University. The Representation of Mary in the Architecture of Le Corbusier's Chapel at Ronchamp [Elektronische Daten] [Flora Samuel] In the Fondation Le Corbusier in Paris there is a little guide for pilgrims that was given to the architect when he began work on the pilgrimage chapel of Notre Dame du Haut Ronchamp (1955), probably the most influential yet contentious building of the twentieth century (fig. 1). Within the guide, the section on the cult of Mary has been heavily underlined and in the margin is the word "feminism,” written by Le Corbusier, a very unusual departure for a man of his times. In this article I will examine the role of Mary in the work of Le Corbusier and discuss the way in which she is interpreted in the architecture of Ronchamp. Copyright © American Society of Church History 1999 Church History: Studies in Christianity and Culture Cambridge University Press 68/2(1999-06), 398-416 0009-6407 68:2<398 1999 68 CHH https://doi.org/10.2307/3170863 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.2307/3170863 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Samuel Flora Lecturer in architectural design at Cardiff University NATIONALLICENCE 773 0- Church History: Studies in Christianity and Culture Cambridge University Press 68/2(1999-06), 398-416 0009-6407 68:2<398 1999 68 CHH CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge