caa a22 4500 388093595 CHVBK 20180307125258.0 cr unu---uuuuu 161130e199902 xx s 000 0 eng 10.1017/S0266464X00012641 doi S0266464X00012641 pii (NATIONALLICENCE)cambridge-10.1017/S0266464X00012641 Vickers Sylvia Space, Genre, and Methodology in Max Stafford-Clark's Touring Production of Chekhov's ‘Three Sisters' [Elektronische Daten] [Sylvia Vickers] It is received theatrical wisdom - indeed, a self-evident truth - that performances of a particular production differ not only night by night, depending on the chemistry between actors and audience, but in the case of touring productions, in response to the changing relationship between the driector's approach and the venue for which it must be freshly adapted. Yet studies of the theoretical or practical effects of such differences are rare - and can rarely draw on such a range of performing venues as those in which the Out of Joint company presented Max Stafford-Clark's production of Chekhov's Three Sisters in 1995. Originally staged at the ornate, tradition-steeped Bristol Old Vic, the production was taken on tour to modernist, hangar-like auditoria in India, and presented in the unusual yet apt ‘found' environment of an English country house, before reaching its final home at the Lyric Theatre, Hammersmith, with its renovated Victorian interior surrounded by a modernist shell. Exploring the terminology used by lain Mackintosh in his Architecture, Actor, and Audience, Sylvia Vickers compares and contrasts the conception, realization, and reception of the production in these varying venues. Sylvia Vickers worked as an actress in a wide range of theatre before co-founding and creating the Brighton Actors' Workshop and Studio Twelve in the 'seventies. She then took a first in English at Sussex, and now teaches in the Drama Department at Roehampton Institute while continuing her work as a director, most recently for the Orange Tree Theatre in Richmond. Copyright © Cambridge University Press 1999 New Theatre Quarterly Cambridge University Press 15/1(1999-02), 45-57 0266-464X 15:1<45 1999 15 NTQ https://doi.org/10.1017/S0266464X00012641 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0266464X00012641 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Vickers Sylvia NATIONALLICENCE 773 0- New Theatre Quarterly Cambridge University Press 15/1(1999-02), 45-57 0266-464X 15:1<45 1999 15 NTQ CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge