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   <subfield code="a">In Search of Brecht: Notes from Rehearsals of ‘Leben des Galilei' at the Berliner Ensemble, 1997</subfield>
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   <subfield code="a">In the fall of 1997, Robert Lyons assisted at the Berliner Ensemble on the production of Leben des Galilei directed by B. K. Tragelehn, who himself had assisted on Brecht's 1955 production of the play, his last before his death. The following article comprises a series of notes, thoughts, and insights gathered and written by the author during the course of rehearsals, research into the theatre's archives, and following discussions spurred by the centenary celebrations of Brecht's birth. Issues arising include the autobiographical elements within Galilei, the nature of ‘alienated' acting and the relevance of gestus, the treatment of time in the epic theatre, the parable and the need for context in the epic theatre, the necessity of coming to terms with Brecht for our own times, the potential for using ‘Brecht' in the American theatre, and the future of the Berliner Ensemble. Robert Lyons, who studied at Wabash College, UCLA, and Humboldt University, is an independent director currently living and working in Berlin.</subfield>
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