caa a22 4500 388106557 CHVBK 20180307125340.0 cr unu---uuuuu 161130e199911 xx s 000 0 eng 10.2307/632314 doi S0075426900018711 pii (NATIONALLICENCE)cambridge-10.2307/632314 Smith Amy C. Tufts University Eurymedon and the evolution of political personifications in the early classical period [Elektronische Daten] [Amy C. Smith] In the 460s BC an unnamed artist painted an unusual oinochoe with a unique scene-a Greek chasing an Oriental archer-that marks an important stage in the development of symbolic imagery in the arts of early Classical Greece. This oinochoe of unusual shape (Plate 8a-b), now in Hamburg, was first published by Konrad Schauenburg. On side A, a bearded Greek hunter, running ¾-view to the right, clutches his phallos in his right hand and reaches his left arm toward an Oriental archer, on side B. The archer stands ¾-view to the right, bent at the hips, with his upper body in a rare frontal pose, and his hands raised to his head. A curious inscription fills the space between the two characters. Two equally plausible restorations of the inscription, each of which carries its own divergent interpretation of the images, have emerged: the original publication by Schauenburg and a response by Gloria Pinney. Copyright © The Society for the Promotion of Hellenic Studies 1999 The Journal of Hellenic Studies Cambridge University Press 119(1999-11), 128-141 0075-4269 119<128 1999 119 JHS https://doi.org/10.2307/632314 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.2307/632314 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Smith Amy C. Tufts University NATIONALLICENCE 773 0- The Journal of Hellenic Studies Cambridge University Press 119(1999-11), 128-141 0075-4269 119<128 1999 119 JHS CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge