caa a22 4500 388109211 CHVBK 20180307125348.0 cr unu---uuuuu 161130s1999 xx s 000 0 eng 10.1017/S0307883300019088 doi S0307883300019088 pii (NATIONALLICENCE)cambridge-10.1017/S0307883300019088 Shim Jung-Soon The Confucian Difference: Yin/Yang Feminism in Korean Women's Dramas [Elektronische Daten] [Jung-Soon Shim] In an answer to the question, ‘Who are we as women?', Western feminisms have developed diverse theories. Appropriating post-structuralist theories, Linda Alcoff rearticulates female subjectivity as positionality, thus avoiding essentialism and yet including a historical dimension in her configuration. Allison Weir calls for a reformulation of the concept of women's identity which includes difference, connection and heterogeneity. Thus, the issues of meaning and interpretation regarding the concept of woman seems to occupy the central locus in the discussions of Western feminisms. Copyright © International Federation for Theatre Research 1999 Theatre Research International Cambridge University Press 24/3(1999), 241-246 0307-8833 24:3<241 1999 24 TRI https://doi.org/10.1017/S0307883300019088 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0307883300019088 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Shim Jung-Soon NATIONALLICENCE 773 0- Theatre Research International Cambridge University Press 24/3(1999), 241-246 0307-8833 24:3<241 1999 24 TRI CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge