caa a22 4500 388109521 CHVBK 20180307125349.0 cr unu---uuuuu 161130s1999 xx s 000 0 eng 10.1017/S0307883300020289 doi S0307883300020289 pii (NATIONALLICENCE)cambridge-10.1017/S0307883300020289 Senelick Laurence Laurence Senelick is Fletcher Professor of Drama and Oratory, Tufts University Double Vision: Second Empire Theatre in Stereographs [Elektronische Daten] [Laurence Senelick] Of cherry-wood or pressed tin, lined with red plush or gutta-percha, hand-held or mounted in a self-standing case, the stereoscope was, by the mid-1850s, ubiquitous in the Victorian parlor, where the viewing device and its attendant cards provided an inoffensive and instructive amusement. ‘The stereoscope is now seen in every drawing-room', reported the Art Journal of 1856, ‘philosophers talk learnedly upon it; ladies are delighted with its magic representations; and children play with it.' Copyright © International Federation for Theatre Research 1999 Theatre Research International Cambridge University Press 24/1(1999), 83-88 0307-8833 24:1<83 1999 24 TRI https://doi.org/10.1017/S0307883300020289 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0307883300020289 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Senelick Laurence Laurence Senelick is Fletcher Professor of Drama and Oratory, Tufts University NATIONALLICENCE 773 0- Theatre Research International Cambridge University Press 24/1(1999), 83-88 0307-8833 24:1<83 1999 24 TRI CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge