caa a22 4500 388109742 CHVBK 20180307125350.0 cr unu---uuuuu 161130s1999 xx s 000 0 eng 10.1017/S0307883300020812 doi S0307883300020812 pii (NATIONALLICENCE)cambridge-10.1017/S0307883300020812 Aronson Arnold Arnold Aronson is Professor of Theatre Studies, The School of Arts, Columbia University, New York. Technology and Dramaturgical Development: Five Observations [Elektronische Daten] [Arnold Aronson] In her landmark book, The History of the Greek and Roman Theater, the great historian Margarete Bieber stated simply and elegantly, ‘The development of the theater building always follows the development of dramatic literature.' While historians, of course, have always attempted to explain the drama in terms of known architectural, scenographic, and technological practices, the effect of one upon the other has been less fully or successfully explored. Why, for instance, is the reverse of Bieber's statement not true? And in the rapidly changing technology of the contemporary world, is it possible that technology has become a causal factor in the development of drama? Copyright © International Federation for Theatre Research 1999 Theatre Research International Cambridge University Press 24/2(1999), 188-197 0307-8833 24:2<188 1999 24 TRI https://doi.org/10.1017/S0307883300020812 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0307883300020812 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Aronson Arnold Arnold Aronson is Professor of Theatre Studies, The School of Arts, Columbia University, New York NATIONALLICENCE 773 0- Theatre Research International Cambridge University Press 24/2(1999), 188-197 0307-8833 24:2<188 1999 24 TRI CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge