caa a22 4500 388112948 CHVBK 20180307125358.0 cr unu---uuuuu 161130e199905 xx s 000 0 eng 10.1017/S0261143000009041 doi S0261143000009041 pii (NATIONALLICENCE)cambridge-10.1017/S0261143000009041 Cloonan Martin Pop and the Nation-State: towards a theorisation [Elektronische Daten] [Martin Cloonan] Recent years have seen two noticeable trends in Popular Music Studies. These have been on the one hand a series of works which have tried to document the ‘local' music scene and, on the other, accounts of processes of globalisation. While not uninterested in the intermediate Nation-State level, both trends have tended to regard it as an area of increasingly less importance. To state the matter more boldly, both trends have underplayed the continually important role of the Nation-State. Copyright © Cambridge University Press 1999 Popular Music Cambridge University Press 18/2(1999-05), 193-207 0261-1430 18:2<193 1999 18 PMU https://doi.org/10.1017/S0261143000009041 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0261143000009041 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Cloonan Martin NATIONALLICENCE 773 0- Popular Music Cambridge University Press 18/2(1999-05), 193-207 0261-1430 18:2<193 1999 18 PMU CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence SWISSBIB 22268786X BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge