caa a22 4500 38811312X CHVBK 20180307125358.0 cr unu---uuuuu 161130e199901 xx s 000 0 eng 10.1017/S0261143000008746 doi S0261143000008746 pii (NATIONALLICENCE)cambridge-10.1017/S0261143000008746 Clawson Mary Ann Masculinity and skill acquisition in the adolescent rock band [Elektronische Daten] [Mary Ann Clawson] In the autumn of 1994, a Rolling Stone special issue on ‘Women in Rock' proclaimed that ‘A change has come to rock & roll'. This pronouncement - which acknowledged women's traditional under-representation in rock music while consigning it to history - was hardly a new one. The ‘discovery' that ‘an unprecedented number of female performers were now carving out a substantial place for themselves in the rock world' has been a recurring staple of music journalism for at least two decades (Garr 1992, p. xi). Yet women's participation in the rock music world continues to be noteworthy, defined by their status as numerical minority and symbolic anomaly. ‘In rock as in life, what is male continues to be perceived as known, normal and natural, whereas what is female is taken to be a mystery in need of explication' (Udovich 1994, p. 50). Copyright © Cambridge University Press 1999 Popular Music Cambridge University Press 18/1(1999-01), 99-114 0261-1430 18:1<99 1999 18 PMU https://doi.org/10.1017/S0261143000008746 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0261143000008746 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Clawson Mary Ann NATIONALLICENCE 773 0- Popular Music Cambridge University Press 18/1(1999-01), 99-114 0261-1430 18:1<99 1999 18 PMU CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence SWISSBIB 222373334 BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge