caa a22 4500 38811357X CHVBK 20180307125359.0 cr unu---uuuuu 161130e199910 xx s 000 0 eng 10.1017/S0961137100001650 doi S0961137100001650 pii (NATIONALLICENCE)cambridge-10.1017/S0961137100001650 Holsinger Bruce W. The vision of music in a Lollard florilegium: Cantus in the Middle English Rosarium theologie (Cambridge, Gonville and Caius College MS 354/581) [Elektronische Daten] [Bruce W. Holsinger] Despite their intriguing testimony to the vagaries of musical life in late medieval England, relatively little attention has been given by musicologists and historians of religion to the wealth of commentary on liturgical and secular music penned by the followers of the Oxford heretic John Wyclif. In a brief mention of this material in The Premature Reformation, her magisterial study of Wyclif and the Lollards, Anne Hudson suggests that the Lollards' suspicion of musical display reflected their more general hostility towards the decoration of churches. Copyright © Cambridge University Press 1999 Plainsong and Medieval Music Cambridge University Press 8/2(1999-10), 95-106 0961-1371 8:2<95 1999 8 PMM https://doi.org/10.1017/S0961137100001650 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0961137100001650 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Holsinger Bruce W. NATIONALLICENCE 773 0- Plainsong and Medieval Music Cambridge University Press 8/2(1999-10), 95-106 0961-1371 8:2<95 1999 8 PMM CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence SWISSBIB 077214536 BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge