caa a22 4500 388113669 CHVBK 20180307125400.0 cr unu---uuuuu 161130e199904 xx s 000 0 eng 10.1017/S0961137100001583 doi S0961137100001583 pii (NATIONALLICENCE)cambridge-10.1017/S0961137100001583 Slocum Kay Brainerd Prosas for Saint Thomas Becket [Elektronische Daten] [Kay Brainerd Slocum] Two decades ago Thomas Forrest Kelly remarked in a footnote to an article concerning responsory prosas that the extent of the repertoire of these additions to the Office can be seen only by surveying large numbers of medieval Office books. In the haystack of a faded thousand-page breviary, he remarked, the needle of a single small prosula can be a real joy! The foundation of this essay is just such a needle, and I hope to employ it to add a few threads to the ever-developing tapestry woven by practitioners of the sister disciplines of history and musicology. My purpose is to present an analysis of a liturgical portrait of Thomas Becket, focusing upon the texts and musical settings of two prosas unique to the British Library manuscript Add. Copyright © Cambridge University Press 1999 Plainsong and Medieval Music Cambridge University Press 8/1(1999-04), 39-54 0961-1371 8:1<39 1999 8 PMM https://doi.org/10.1017/S0961137100001583 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1017/S0961137100001583 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Slocum Kay Brainerd NATIONALLICENCE 773 0- Plainsong and Medieval Music Cambridge University Press 8/1(1999-04), 39-54 0961-1371 8:1<39 1999 8 PMM CC0 http://creativecommons.org/publicdomain/zero/1.0 nationallicence SWISSBIB 07681064X BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-cambridge