Toward diversity and emancipation
(re-)narrating space in the contemporary American novel
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| 100 | 1 | |a Thoene |D Marcel |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Toward diversity and emancipation |b (re-)narrating space in the contemporary American novel |c Marcel Thoene |
| 250 | |a 1. Auflage | ||
| 264 | 1 | |a Bielefeld |b transcript |c [2016] | |
| 300 | |a 335 Seiten |c 22.5 cm x 14.8 cm, 549 g | ||
| 490 | 0 | |a Lettre | |
| 500 | |a Originally presented as the author's doctoral thesis--Universität Bielefeld, 2015 | ||
| 502 | |b Dissertation |c Universität Bielefeld |d 2015 | ||
| 504 | |a Includes bibliographical references (pages 317-335) | ||
| 505 | 0 | |a Introduction: Contemporary American (literary) studies, the spatial turn and narrativity -- Key tropes of space in U.S.-American cultural history -- Literary tradition: space in earlier periods of U.S.-American literature -- Re-thinking narrative theory for contemporary literature -- Jonathan Franzen-The Corrections -- Toni Morrison's African American history trilogy -- Luis Alberto Urrea-Into the Beautiful North -- Sherman Alexie-Reservation Blues -- Conclusion | |
| 520 | 8 | |a "This book focuses on the pivotal role which space and spatiality assume in plot and narrative discourse of contemporary U.S.-American literary narratives. Embarking from a new, spatialized approach to cultural history and particularly narrative theory that might also prove useful for neighboring philologies, Marcel Thoene hypothesizes that the canon of novels selected represents a dialectic of simultaneous affirmation and subversion of the American space myth. This results in an integrative and emancipatory function of space reflecting the current dynamic toward a more transcultural, diverse and conflictive post-national U.S.-American society."--Publisher description | |
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