Absolute music, mechanical reproduction
| LEADER | cam a22 4 4500 | ||
|---|---|---|---|
| 001 | 390170712 | ||
| 003 | CHVBK | ||
| 005 | 20201017112715.0 | ||
| 006 | m d | ||
| 007 | cr ||||||||||| | ||
| 008 | 161201s2010 xxu s 00 eng| | ||
| 010 | |a 2009040742 | ||
| 015 | |a GBB0-30513 |2 bnb | ||
| 016 | 7 | |a 015494171 |2 Uk | |
| 020 | |a 978-0-520-26479-3 (cloth : alk. paper) | ||
| 020 | |a 0-520-26479-7 (cloth : alk. paper) | ||
| 020 | |a 978-0-520-26480-9 (pbk. : alk. paper) | ||
| 020 | |a 0-520-26480-0 (pbk. : alk. paper) | ||
| 020 | |a 978-0-520-94569-2 | ||
| 035 | |a (NEBIS)010110158 | ||
| 035 | |a (SERSOL)ssj0000410850 | ||
| 035 | |a (OCoLC)449860806 | ||
| 035 | |a (WaSeSS)ssj0000410850 | ||
| 040 | |a DLC |d SzZuIDS NEBIS ZHDK-MIZ-MUSIK | ||
| 050 | 0 | 0 | |a ML3854 |b .A84 2010 |
| 082 | 0 | 0 | |a 781.49 |2 22 |
| 245 | 0 | 0 | |a Absolute music, mechanical reproduction |c Arved Ashby |
| 260 | |a Berkeley |b University of California Press |c 2010 | ||
| 300 | |a Online-Ressource | ||
| 504 | |a Includes bibliographical references (p.299-308) and index. | ||
| 505 | 0 | |a The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. | |
| 506 | |a Lizenzbedingungen können den Zugang einschränken. License restrictions may limit access. | ||
| 600 | 1 | 0 | |a Gould, Glenn |x Criticism and interpretation |
| 600 | 1 | 0 | |a Schnabel, Artur |d 1882-1951 |x Criticism and interpretation |
| 648 | 7 | |a Geschichte 1950-2000 |2 gnd | |
| 650 | 7 | |a Absolute Musik |0 (DE-588)4141115-8 |2 gnd | |
| 650 | 7 | |a Musikalische Aufführungspraxis |0 (DE-588)4170800-3 |2 gnd | |
| 650 | 7 | |a Musikhören |0 (DE-588)4075127-2 |2 gnd | |
| 650 | 7 | |a Schallaufzeichnung |0 (DE-588)4052020-1 |2 gnd | |
| 650 | 0 | |a Absolute music | |
| 650 | 0 | |a Sound recordings |x Social aspects | |
| 650 | 0 | |a Music |x Philosophy and aesthetics | |
| 650 | 0 | |a Performance practice (Music) |x History |y 20th century | |
| 650 | 0 | |a Music and technology | |
| 650 | 0 | |a Sound |x Recording and reproducing |x Digital techniques | |
| 650 | 0 | |a MP3 (Audio coding standard) |x Social aspects | |
| 700 | 1 | |a Ashby |D Arved Mark |d 1964- |0 (DE-588)1058573772 | |
| 856 | |u http://sfx.ethz.ch/sfx_locater?sid=ALEPH:EBI01&genre=book&isbn=0-520-26480-0 |z Online via SFX | ||
| 898 | |a BK020053 |b XK020053 |c XK020000 | ||
| 909 | 7 | |a noalma |2 ids I | |
| 909 | 4 | |f Ebook Central All Subscribed Titles | |
| 909 | 4 | |a E-Books von 360MarcUpdates | |
| 949 | |B NEBIS |F E65 |b E65 |c E65O1 |j Online | ||
| 949 | |B IDSBB |F B405 |b B405 |c 405VT |x NELB4052004 | ||
| 950 | |B NEBIS |P 700 |E 1- |a Ashby |D Arved Mark |d 1964- |0 (DE-588)1058573772 | ||
| 950 | |B NEBIS |P 856 |E -- |u http://sfx.ethz.ch/sfx_locater?sid=ALEPH:EBI01&genre=book&isbn=0-520-26480-0 |z Online via SFX | ||
| 950 | |B IDSBB |P 100 |E 1- |a Ashby |D Arved Mark | ||
| 950 | |B IDSBB |P 856 |E 40 |u https://ebookcentral.proquest.com/lib/unibern/detail.action?docID=566757 |z Uni Bern: Volltext | ||
| 986 | |a SWISSBIB |b 274470225 | ||