caa a22 4500 397552033 CHVBK 20180308164752.0 cr unu---uuuuu 161202e199612 xx s 000 0 eng 10.1093/litthe/10.4.317 doi (NATIONALLICENCE)oxford-10.1093/litthe/10.4.317 Dove Mary University of Sussex SEX, ALLEGORY AND CENSORSHIP: A RECONSIDERATION OF MEDIEVAL COMMENTARIES ON THE SONG OF SONGS [Elektronische Daten] [Mary Dove] Allegory, E.D.Hirsch argues, has all but vanished from the modern world. But in the interpretation of the Song of Songs since Origen and Augustine, allegorical readinga have been central to debate. Distinguishing between Origen's explicit allegorising and Augustine's declaredly literal reading of the Canticum Canticorum, continuity from Origen is traced though to the medieval Glossa Ordinaria with the public erotics of which a comparison is finally made with Michel Foucault in his La Volenté de savoir. © Oxford University Press Articles nationallicence Literature and Theology Oxford University Press 10/4(1996-12), 317-328 0269-1205 10:4<317 1996 10 litthe https://doi.org/10.1093/litthe/10.4.317 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1093/litthe/10.4.317 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Dove Mary University of Sussex NATIONALLICENCE 773 0- Literature and Theology Oxford University Press 10/4(1996-12), 317-328 0269-1205 10:4<317 1996 10 litthe Metadata rights reserved CC BY-NC-4.0 http://creativecommons.org/licenses/by-nc/4.0 nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-oxford